Almost as soon as he was old enough to hold a pencil, Casey Vormer, who goes by the name Remrov, began to teach himself to draw. Sitting alone in his room at his family’s home in the Netherlands, he sketched out rudimentary road maps and little cartoon figures. When he wasn’t working on his art, he devoured books on astronomy, medical science, neurology, and quantum physics.
Despite his many other interests, his fascination for art persisted. Over the years, and without any formal training, Casey began turning out increasingly intricate portraits of buildings, animals, and other objects. He works in graphite charcoal or colored pencil with such a high degree of complexity that his pieces have been mistaken for paintings or photography.
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“I went through a whole process to find out what works best for me,” says Casey from his home studio in Montreal. He’s on a break from working on a private commission of a three-by-six-foot mountain lion. “I really don’t like painting. It’s expensive. It’s messy. But when you work with pencils, when you’re done, you put them to the side and that’s it. I used to draw people, but not anymore. It’s very detail-specific. If a facial feature is half a millimeter off, it doesn’t look like them and they’re not happy. It causes too much stress.”
Casey, who is in his 40s, emigrated to Canada 11 years ago, partly to get away from the “grey and rainy” Netherlands, but also to escape a place where he never felt understood.
“I was never happy there,” he says of his homeland. “It was always very lonely. People were closed-minded and backwards. I was bullied wherever I went. I never had any friends. I needed to get out.”
He chose Montreal because of its appealing climate and also because he is “amazed at how friendly people are.”
“They don’t judge each other. There are so many different kinds of people here, and they are much more open-minded than what I was used to.”